I've downloaded the newest version of Resolve but am not yet using the NLE functions though I place to use the simpler ones as I move forward. Marshall Harrington wrote:I've got to say that I'm very curious what others are doing. But I cannot imagine a workflow that uses AE as much as I do where this would be possible.
I hear people talking about using proxies which sounds great if it was just straight video.īut I end up working manually replacing the clips in Premiere with later versions that I've recorrected in Resolve then doing whatever adjustments I need in AE rendering each step of the way.Īre there really any workarounds? The idea of doing a final pass of color at the end is so right in order to balance all the slips together. And I'm trying to preserve the larger size of the files when they come from the BMCC camera. I have to go back to Resolve for a second color adjustment because I have to have it done as I'm going along. Back to Resolve for final color - But based on the work I do in AE it doesn't really work out. Utilize AE for any FX required along the path of the NLE edit.ġ1. Output 422 ProsRes file to edit folder.ĩ. Open project in Resolve and do initial color correction.ħ. Copy those synced clips to job folder in raidĦ. Then open in Bridge rename clips and pick the clips I want to use or even consider.ĥ. I almost always record separate sound therefore need to sync it, which is the first thing I do using Pluraleyes.Ĥ. Transfer all cards to a JBOD drive that is reserved for capture data only.ģ. But my workflow always seems awkward at best.ġ. I've got to say that I'm very curious what others are doing. I'm thinking some of my troubles have to do with my workflow for setting up folders using Post Haste on an external drive, so if you have any tips on how to correctly do this I'm all ears. Is this possible? If you have found success, please post your workflow. Essentially, I just want to be able to start out in Resolve, match up audio using PluralEyes3 and cut the footage in PP CS6 and then head back to Resolve for a color edit of the DNGs before creating a master. I'm running into all sorts of problems and have read just about every related online workflow article and forum post available. After, I'd import the XML back to Resolve to do a final color edit of the DNGs.Īfter days of messing around, I can't figure it out. Initially, my plan was to import this mix into Resolve 10 for a quick grade before sending low res proxies (2400x1350) to PP CS6.at which point I'd sync the audio using PluralEyes3 and then edit. I'm working on a short film and need assistance with my workflow, which involves a mix of BMCC raw 2.5k dng files, BMCC in-camera audio (which will be thrown out after sync) and high quality (96khz.
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